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作者:徐聚一2011-10-08 17:18:25 來源:藝術(shù)家提供
陳先生在“藝術(shù)跟蹤畫室”中日夜工作了一周多的時(shí)間，成此“讀圖記”中山水與荷花系列約三十多幅作品。這真可謂厚積薄發(fā)了。看似輕松的一個(gè)個(gè)剎那，卻是陳氏畢生藝術(shù)積累的呈現(xiàn)。而陳先生確實(shí)也是抱著“玩”的心態(tài)輕裝上陣的，因此反而能得獅子搏象、舉重若輕等諸般的力量。關(guān)于這股力量我已在前面的序里提及過了，期望讀者諸君通過“讀圖”也能領(lǐng)略一二。而相信如果他日得緣以這批作品來做個(gè)展覽，則讀者諸君對(duì)陳氏作品這一股表面柔和而內(nèi)里勁挺的力量定會(huì)有更多真切的感受。是為跋。
2008年5月于藝術(shù)跟蹤工作室
Postscript
XuJuYi
Mr.Chen had worked in the "Track art" studio for more than a week, finished 30 paintings of landsape and water lily in the book "Reading Image". Each moment during his creation that presented Chen's life-long accumulation of art. He was also holding the "play" mentality without reservation, so there is unstrain and mature force.The force I have already mentioned in preface, hope readers can realize that in the book. Also Viewers may Clearly understand the combination of gentleness and strength on coiming exhibition.
May 2008, "Track art"studio
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